I didn't have much time to give a very modern design to the very first version of Gatsblog. The deisgn is somehow "old school". But I tweaked the grid system a lot to make this design to be a high quality design.
Grid system is a very common thing in most subfields of modern design industry. It helps designers to lay things out in a certain rhythm.
But I didn't make use of those traditional grid systems like the above figure shown.
The most important thing of a blog is text. And text, strictly speaking Latin characters, have a special rhythm other than regular geometries.
Since there are not only height and width two metrics in Latin characters, where doesn't like a rectangle or a square, laying out characters is more complicated than laying out regular geometry. To laying out such complicated geometries, we have to simplify them into following simple rectangles.
You can find that the simplified geometry of letter "x" is much smaller than that of letter capital "K". In fact, the differences between the sizes of simplified geometries of letters vary over different font sizes. But how should we understand these size gaps?
The letter-frequency table below is taken from Pavel Mička's website1, which cites Robert Lewand's Cryptological Mathematics.
Relative Frequency in English Language (%)
The table didn't tell capital letters and small letters apart. But since we only use capital letters at the beginning of a sentence, terminologies and titles, telling capital letters and small letter apart would not change the basic trend in this table.
By reading this table, for relative frequency of letters in English
language, we can know that 60.82% of it are small-cases-x-height-capped
(like "x") and 6.17% of it are small-cases-with-decent (like "j"), this
means for a given font with small enough font size, the descents,
(ascents - x-height) and
(cap-height - x-height) come to be
negligible and the simplified geometries of characters in lines of a
paragraph are convergent to a rectangle whose height is the x-height.
Thus we know that we could take the geometry of English text with regular font of small enough size as a rectangle whose height is the x-height of the font in practical design.
Series here means a set of quantities having the several values determined by a common relation. Yes, it is the "series" in math.
When we talking about a grid system, we are actually talking about the rhythm of sizes of elements and the rhythm of spaces between elements. Such a rhythm shall have its beauty inside. The best choice is golden ratio. But deriving sizes and spaces for a base value with golden ratio is tedious. I choose Fibonacci series.
1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144...
By removing the "1", "1", "2", "3" away, then we got a series makes sense in practical design.
5, 8, 13, 21, 34, 55, 89, 144...
To simplify the number of Fibonacci numbers we used, we can just pick the first 5 numbers.
5, 8, 13, 21, 34
And I used these 5 numbers in my design. All the sizes and spaces you see on my blog are just one of these 5 numbers.
For Latin characters with big font sizes, the descent and the difference between ascent and x-height or cap-height and x-height comes to be hard to overlook as the font size increasing. For these cases, I still sizes the font's x-height to match a particular series number. But the ascent and cap-height cannot be ignored now.